Diggin’ the Factory scene

I thought I'd write a little review of the movie I watched last night, "Factory Girl."

This came out in 2006, but typically, I'm way behind on things. I've had this for a while, and finally got around to watching it.

Andy Warhol is one of my favorite artists (I love Pop art in general), and several years ago, I became fascinated with his studio, the Factory, and the whole scene involved with him in the mid to late '60s. It was a highly creative and permissive atmosphere, but drug usage was rampant. From what I've read, Warhol did not condone the use of drugs in his studio, but he also didn't put a stop to it. Speed was the drug of choice at the Factory.

I'm not sure what fascinated me about it. Maybe it was because as a scientist, such a lifestyle and such behavior was so different from mine. Glamorous, decadent, creative, dynamic, highly social, free, and definitely out of the ordinary. Of course, that's ignoring the lack of focus, the ravages of drug abuse, the STIs, running out of money, and the general disconnection from anything resembling reality.

The Factory Girl in question is Edie Sedgwick, a poor little rich girl socialite who left Cambridge to go to New York to be a star. She did all that and more when she met Andy Warhol, and she became his "It Girl." She charmed everyone she met with her big eyes, beautiful smile, and long legs. She was the star of several of Warhol's movies, and worked as a model. Her look was all her own: her waif-like figure, heavy, dark eye makeup, short silver pixie haircut. Apparently she had a very troubled childhood, with a controlling, abusive father; one of her brothers committed suicide, and another died young in a motorcycle accident. One sister broke with the family and refused to have anything more to do with them. In Warhol, she found another controlling father figure, and for a while they were inseparable. As her drug use increased, they began to pull apart, and as her family money ran out (she got little to no money from Warhol), she could no longer stay in New York and moved back to her family's ranch in Santa Barbara.

Her father placed her into a psych ward, and she seemed to kick her drug habit. She married a fellow patient she met there and seemed to be fairly happy for a while. A few months after they were married, she died of a drug overdose at the age of 28.

Here are details about Edie Sedgwick's life and death.

That's the real Edie's story. What about the movie?

I found it fairly enjoyable, and thought it captured a lot of the frenetic energy of that time. Warhol coined the term "superstar" to describe Edie, and at that time, with Warhol at her side, she truly was. I enjoyed the depiction of life and work at the Factory; the art and movies were puzzling to some, but definitely new and exciting. Many of these scenes are shot as if actual film footage from the time, and that's a nice effect.

I thought it painted Edie and Andy's relationship in too stark of terms. As with all things in life, nothing is completely black and white. Andy wasn't a ruthless manipulator who used Edie and then threw her away, and Edie wasn't the completely helpless victim that fell prey to his manipulations. They were both of those things, yes, but they were also more to each other. They may have used each other (and by most accounts, Warhol did use people to further his career), but they also mutually benefited from the relationship. Edie became a celebrity because of his influence, and Andy had access to her old money connections that helped make him an art sensation. He used and manipulated her; she used and manipulated him. There was also obviously great love and affection between them, even to the point of Edie dyeing her hair silver to match his wigs; perhaps she was the female version of what he might have liked to be. Of course, their relationship never was and never would be physical.

The film also touches on Edie's relationship with Bob Dylan, although the character is called "Billy Quinn." Gee, a folk singer with a familiar raspy voice, wearing a harmonica holder around his neck...who could it be?!

I liked the movie and it kept me engaged, but I'm very interested in that era and the Factory scene, and have read quite a bit about Edie and Andy (including the book by Jean Stein that focused mainly on Edie), so I'm probably a little biased on the side of liking this. It's probably not for everyone. Lots of drugs and nudity and general depravity, and it really is sad to see the portrayal of Edie's rapid decline. I thought Sienna Miller did a good job as Edie, but I wasn't as impressed with Guy Pearce as Andy. I thought Crispin Glover did a better job as Andy in "The Doors."

If you're interested in Warhol or his Factory, you'll enjoy this as a diversion. Personally, I enjoyed the half hour extra about the real Edie more than the movie, and I would be interested in seeing if there are any documentaries that deal with her and with Warhol.